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The Human Touch: Our Part in the Creation of a Universe

 
  Author: Michael Frayn
By Faber and Faber
Average Customer Rating: Average rating of 2.5/5

List Price: £9.99
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Customer Reviews
Average rating of 1/5 Don't bother, 2008-06-18
The idea behind this book is explained on the back cover. Michael Frayn attempts to justify it for the entire book by repeatedly giving examples, none of which are very convincing. Example after example comes at you: you will feel punch drunk after the first chapter and thoroughly confused by chapter two. If you get to chapter three without falling asleep then you deserve congratulations. I got three quarters of the way through over 6 months, then gave up, still unconvinced.

Average rating of 5/5 Really rather good., 2008-06-23
This book just did it for me. And it might for you, too. I couldn't disagree more with a lot of the reviews here. And that's just the way I like it.

Think for yourself, and enjoy other people thinking for themselves along the way.

Excellent.

Average rating of 2/5 Starts well, but a poor finish., 2008-02-16
I started reading this book with high hopes, as it does have some interesting observations; however, as I progressed I wished that he'd get to the point, which he never does.

Lost patience about 2/3rds of the way through and gave up.

Average rating of 4/5 Searching for stability, 2007-03-18
Frayn opens his treatise lamenting about disorder in the universe. He wants straight lines, perfect circularity and stability. Why this should be the case in a cosmos initiated by the Big Bang remains unexplained. Seeking solace from scientists, who are reputed to have the universe organised, Frayn is disappointed to learn they lack a certain consistency in their own views of how the universe is organised and operates. Instead, he must fall back on asking philosophical questions about the cosmos, while stoutly disclaiming any role as a philosopher.

Frayn is a man who's learned enough about the universe to be perplexed by what it doesn't tell him. He's not alone in that. As a playwright, however, he has the language skills to explain his confusion in ways the rest of us can comprehend and sympathise with. He doesn't want to appear lofty or arcane, but the subjects run away with him. He's left to narrate the questions as he's discovered them, spicing his personal reflections with what he's learned. It's not possible to touch on how the universe is structured, how language communicates and obscures, or how our minds elude our feeling of possessing control without unearthing a number of philosophical questions. Unlike many in academia, however, Frayn is the gentlest of commentators. He doesn't really criticise the stands taken by many modern philosophical scholars, but then he doesn't really understand most of them, either. He mildly approves, for example, of Daniel Dennett's "Consciousness Explained", then blithely overlooks Dennett's Multiple Drafts Model of how we think. A better understanding would have resolved several of the questions Frayn raises in his discussion of how elusive thoughts are.

Frayn's explanation of the human role in "the creation" of the universe is almost nonexistent. It's a concept as paradoxical as the idea that the world exists only because we perceive it. He's not "anthroarrogant" in any sense, since much of the book is taken up with our own inabilities to figure out not what's going on outsides ourselves, but inside as well. In fact, his concerns about those inabilities are emphatically about his own. He is uncomfortable with the fact that although immense intellects have attempted to define the cosmos, their results only lead to further questions. Nothing is defined and nothing is resolved. Any of us, it would seem, can invent what type of universe we wish - a bit of searching and some "law" can be found that will define it. Even the great test of empirical evidence - can something be forecast from that "law"? falls short. It is this condition that admittedly disturbs Frayn. There are no dogmas to fall back on. Except the rather vague one of anthropocentrism instead of the anthroarrogance the sub-title suggests.

Frayn's approach will woo those readers who sympathise with his confusion about the indeterminate nature of the cosmos. His playwright and novelist experience gives him good insight into how widely his concerns might be shared. He even goes so far as to provide accounts of his own dreams where ideas, characters and events for fiction might be prompted. The background skills give him the ability to impart all his questions and whatever resolutions he's derived from his readings in a style at home on any stage. It's almost as if he's being a play director in dialogue with an audience about the story. Indeed, in several instances, he takes the role of an audience member questioning the issues and his attempted explanations. It's a very effective ploy, and other science writers might take note of the method. Frayn, right or wrong in his ideas, can impart them wonderfully. His moonlighting into philosophy at least deserves a look. [stephen a. haines - Ottawa, Canada]

Average rating of 1/5 Past imperfect, 2008-06-10
I thought perhaps it was just me. 'Copenhagen' sent me to sleep and this was getting close. But I perked up when I found Frayn's suggestion that there was a time when everyone alive was my ancestor (and, apparently, yours) - another young-schoolperson error. And the Swedes didn't suddenly switch to the 'du' form of address in the 1970s. And as for the introduction of zero ...

I think my views are summed up pretty well by the previous reviewers. I vote this a 'Miss'.

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Product Information
Binding: Paperback
EAN: 9780571232185
ISBN: 0571232183
Label: Faber and Faber
Manufacturer: Faber and Faber
Number Of Pages: 512
Publication Date: 2007-09-06
Publisher: Faber and Faber
Studio: Faber and Faber
more information about The Human Touch: Our Part in the Creation of a Universe
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